Latex Generation

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Latex Generation was a New York, USA punk rock band formed in the early 1990s. The name was inspired by a news report heard on the radio by bassist and original founding member, Tommy Rockstar, that spoke of the current generation of teens and the threat of STDs, especially the AIDS epidemic. The band of young high-schoolers (at that time) agreed to the name "Latex Generation" instead of an earlier name "The Dead Cat Lickers". They are also referred to as "L8XG" or just "LG". They went on to release 2 full-length CDs, 3 7" records, a number of compilation album contributions and toured around the world. They are currently disbanded.

Contents [hide] 1 The Early Years (1990-1992) 1.1 Recording Session #1 2 The Middle Years (1993-1996) 2.1 Recording Session #2 2.2 Recording Session #3 2.3 Recording Session #4 2.4 Recording Session #5 3 The Later Years (1997-1999) 3.1 Recording Session #6 3.2 Recording Session #7 3.3 Recording Session #8 4 The Final Year 5 Reunions 6 Digital Music Releases 6.1 360° (Special Edition) 6.2 Boysrock (Special Edition) 7 Where Are They Now? 8 External links

[edit] The Early Years (1990-1992)

The founding members were:

• Paul Fort (guitar)
• Mike Hobbs (drums)
• Tommy Rockstar (bass)

The first performances were at high school functions at Wheatley High in East Williston, NY (where Paul & Hobbs attended). No Frontman was available at this point so good friends/family members took the stage with the band. (Ali Hobbs & Ali Redmond) The band soon added James Simpson on guitar to fill out the live sound. However, Simpson's role wih the band was short lived due to personality clashes with the other members.

Soon after this, vocalist Matt Small was recruited. Matt fronted the band for a few shows, including one at Long Island's HammerHedz, the Vault in Queens (NYC), & the Wheatley High School's Battle of the Bands. The Wheatley battle of the band's show incited a mosh pit that brought the show to a halt twice and lead to the school principal ejecting the band's fans, which lead to a disappointing loss in the contest. The band realized that Matt's singing style didn't fit their style so his stint as lead singer ended rather quickly.

After several unsuccessful auditions, the band approached Joseph Nienstedt, the guitarist for another local band called "Old Motor Parkway". Joe became the new singer for the band and they immediately began working on original songs. Among the early originals were: "Out on the Run", "Bitch Factory", and "Edicius". The band started to play regular shows throughout Long Island and Queens and even won the Herricks High School Battle of the Bands.

The line-up was as follows:

• Paul Fort (guitars)
• Mike Hobbs (drums)
• Tommy Rockstar (bass guitars)
• Joseph Nienstedt (vocals)

[edit] Recording Session #1

Latex Generation recorded a demo entitled Loser with local producer Steve Ronsen. The six song demo included:

1. Myself
2. Funky Green Carpet
3. Not a Crime
4. Whore
5. Grow
6. FCC

[edit] The Middle Years (1993-1996)

The band became actively involved in the Long Island/Queens Punk/Hardcore scene which was centered around the popular club "The Angle" (Mineola, New York). These club appearances lead to the band signing with indie label Motherbox Records. Motherbox helped fund and distribute the band's first 7" record entitled "Bored" (1993).

[edit] Recording Session #2

The Bored 7" was recorded by Steve Ronsen at Buzz Productions. Songs Included:

1. PB&J
2. Home
3. Bored
4. Two Faces

The song "Two Faces" featured Joe playing guitar alongside Paul for the first time. Impressed with the results of the session, the band decided a role shift would benefit everyone involved. So, Joe took on the lead guitar role allowing Paul to concentrate on lead vocals.

In an attempt to broaden their fan base, the band purchased a van and worked hard expanding their influence into New Jersey and Pennsylvania. These shows lead to strong relationships with bands such as Weston (band), Bouncing Souls, Plow United, Nooner & Grady . During this time, the band tightened up and headed back to the studio.

[edit] Recording Session #3

The I Killed the President 7" was recorded by Steve Ronsen at Buzz Productions. Songs Included:

1. Fuck Me, I'm a Rockstar
2. Delivery Boy
3. I Killed the President

With two 7" records to their credit, the band grew more ambitious. Longer tours were now being organized throughout the Northeast and larger groups of fans were attending shows. The band's buzz grew with each month and requests were coming in from minor labels to provide new songs for upcoming compilations. At the same time, the group continued it's DIY philosophy by silk-screening their own t-shirts, buttons, and patches.

[edit] Recording Session #4

Although the band was satisfied with the early home studio recordings done at Buzz Studios, they felt it was time to record in a more professional environment. They were introduced to engineer/producer Steve Meyer in 1995 and recorded four songs for upcoming compilations.

Known as the Steve Meyer sessions, it included the following songs:

1. Daddy Was a Communist
2. I'm Not You
3. The Theme from TV's The Jeffersons (Cover)
4. Runaround Sue (Cover)

Latex was now playing shows with larger bands in the NYC punk scene. This paid off in a big way after playing a sold out show supporting CA's No Use For a Name at the Wetlands in NYC. Soon after, the band was approached by a New Zealand based record label called "Onefoot Records", with whom they signed a worldwide recording and distribution contract.

[edit] Recording Session #5

The 360 CD & LP was recorded by Steve Meyer and included all new recordings of the following songs:

1. Central America
2. Daddy Was a Communist
3. They Killed the Radio
4. 360
5. Delivery Boy
6. PB&J
7. 3 Years After
8. Fuck Me, I'm a Rockstar
9. I'm Not You
10. I Killed the President
11. Bazooka
12. Fallen Angel (with hidden track "Sgt. Thrasher" afterwards)

Latex Generaion then organized it's most ambitious tour to date. With record label backing and a new CD to promote, the band embarked on a seven week US tour. The band continued its DIY work ethic by making almost all of their own merchandise, booking shows, advertising, and managing themselves. This required a monumental effort and put a strain on the relationships between members.

[edit] The Later Years (1997-1999)

After returning from their tour in support of 360˚, the band brought on new friend Hugo Lowbrow as a 2nd guitar player. When drummer Mike Hobbs & singer Paul Fort left for college in the fall, the group looked on it as a much needed break from band tensions/pressures. However, the distance between members only fueled the existing fires, and, after much debate, Tom & Joe finally decided it was better to move on and replaced Hobbs with Hugo Lowbrow as their new drummer. Soon after, Paul Fort would leave the band, changing the face of the line-up as well as the sound of the band.

The remaining members tried out various frontmen to take the role of Paul, but, unsurprisingly, no one suitable was found. Joseph Nienstedt eventually reclaimed the lead singer position he occupied when the band was first formed. The band continued touring under the name "Latex Generation", now with the following members:

• Joseph Nienstedt: Vocals/Guitar
• Tommy Rockstar: Bass
• Hugo Lowbrow: Drums

With a full catalog of music, the band got back on the road playing alongside Florida's Ska/Punk kings Less Than Jake on an impromptu East Coast tour. They soon recorded some new material for a new 7" single, as well as a few tracks for their follow up record to 360˚.

The band members had changed, and so did their sound. In a final transition from old to new, the band changed studio engineers again.

[edit] Recording Session #6

During the Eric Rachel sessions (Tracks East Studios, NJ) they recorded the following songs:

For the Whatever Happened to PJ Soles? 7"

1. Whatever Happened to PJ Soles?
2. Come Along Sorry Ass, We're Going Places (which also appeared on "Boysrock")

For compilation records:

1. 21 (of age) (which also appeared on "Boysrock" and the "Boysrock Sampler" cassette)
2. Cycle (which also appeared on "Boysrock" and the "Boysrock Sampler" cassette)
3. Holiday Road (which was never released)

Overseas

With heavy support from their record label, Latex Generation embarked on their first international tour to Europe with label-mates, Radio Baghdad. The tour was a gritty, yet successful endeavor, playing to a foreign "grass roots" audience which varied from city to city, and included performances at venues such as at government-supported squat houses, indoor pools, night clubs, disco-techs, farms, army camps, and more. Some highlights from the tour included nightly "jams" with tour-mates RadioBaghdad, who often covered rock classics such as '99 Red Balloons' (sung in German and English) and 'Stepping Stone'. The tour would help give the band memorable expriences that would later materialize in song-form on their next record.

Latex Genreation was featured in video documentary filmed during that tour (European release only) and some material was recorded for the documentary appeared in a short video clip on their "Boysrock" CD.

Upon returning from the European tour, L8XG parted ways with Hugo Gasc (who remained a close friend and played an occasional show with them as a guitarist) due to his commitment to his own band Desperosity. L8XG began to audition new drummers and found a drummer named Jay who played their first Vans Warped Tour shows as well as a nationwide tour with the band Whatever?. However, the band did not have the same chemistry achieved with Hugo, so they parted ways with Jay on good terms, with Jay going on to play with other groups - most notably, Long Island's wildly successful hardcore outfit Bayside . Ensuing auditions produced drummer Brian Alien. To make up for lost time, the band immediately began writing for a new record and went back to Tracks East in NJ to lay down what would be "Boysrock", their second CD.

The lineup for Boysrock was as follows:

• Joseph Nienstedt (Vocals/Guitar)
• Tommy Rockstar (Bass)
• Brian Alien (aka: Alien) (Drums)

Latex Generation was a completely different band by the time they recorded Boysrock. They had been through numerous line-up changes and had matured greatly since the early days. The end result was a record that sounded nothing like their previous recordings. Fans of the older material had mixed reactions to the shift in style demonstrated on Boysrock and the band found themselves playing less and less of the old material live. The recording showed the bands versatility & passion, and has since become regarded as their "Pet Sounds".

[edit] Recording Session #7

The songs that appeared on Boysrock Latex Generation's 2nd CD, were:

1. Laugh It Off
2. 6th Sense
3. 21 (of age) (recorded with Hugo on drums from the previous session)
4. Cycle (recorded with Hugo on drums from the previous session)
5. Tank Stellar
6. One For the Bastards
7. Come Along Sorry Ass, We're Going Places (recorded with Hugo on drums from the previous session)
8. Ilona Stanley's Response
9. Inspiration on TV
10. Desperosity ( with Jessica Mills on Saxophone - formerly of Less than Jake)
11. Mac ( with Jessica Mills on Saxophone - formerly of Less than Jake, this song was written by Patrick Walsh)
12. Campsite 54

Other songs recorded during that session (but not included on the album) include:

1. Closed Casket (pulled from Boysrock at the last minute and later commercially released on a Onefoot Records CD Compilation)
2. Trash (with Hugo Lowbrow on lead vocals and rhythm guitar)

After they recorded Boysrock, the band performed relentlessly on a variety of short tours in the US, including a slot on a tour supporting The Bouncing Souls, a tour with Pennsylvania's Digger, and a string of dates on the Vans Warped Tour in the US. They headed to a studio in South Carolina to record 2 songs for the record label Fast Music that were to appear on a split 7" record with the band Digger. The 7" never came to fruition, but one of the songs was released on a compilation for the label Fast Music.

[edit] Recording Session #8

The Columbia, SC sessions included the following songs:

1. Undependant (released on the Fast Music Compilation)
2. The Best Revenge (never commercially released)

[edit] The Final Year

After years of relentless hardwork, touring and self-promotion, L8XG was offered a slot on the Australian leg of the 1998 Van's Warped Tour. The feat was considered to be one of the bands crowning achievements, as they were asked to play the main stage of the tour, alongside fellow acts such as Suicidal Tendencies, Less Than Jake, the Deftones, MxPx, 22 Jacks, Cherry Poppin' Daddies, HepCat, Pennywise, Area 7, GrinSpoon, Frenzal Rhomb, Unwriiten Law and many more.

The tour, which spanned the month of January 1999 (even though it was the '98 Warped Tour, the tour lasted until January) , provided the band the luxury of reaching out to large audiences on a daily basis (sometimes performing in front of 15,000 people a day). While the tour was truly unforgettable for the trio (having made new and life-long friends while there overseas), the band also began to see signs of disdain and fatigue from each other.

Upon return, Latex Generation was offered what would be their last tour, supporting pop-punk legends Lagwagon (Fat Wreck Chords) and Colorado punk icons ALL. The tour proved to be wildly successful for L8XG and helped to further widen the groups growing audience, especially along the East Coast.

Shortly after, singer Joseph Nienstedt got married. At the same time, the band was having certain difficulties with drummer Brian Alien, in addition to other matters. Shortly thereafter, Brian Alien and Latex Generation decided to split ways. They have since rekindled their friendship and have remained friendly over the years, with Alien going on to join various other projects, such as Today is the Day, Disassociate, and even a stint with Kiss Army.

Meanwhile, life was changing for Joe who was expecting his first child, while Tommy Rockstar was getting set starting his own t-shirt printing business. Years and years of trials and tribulations in the underground music scene began to take its toll on the two remaining original members. By the summer of 1999, the two decided to put the band 'on hold indefinitely' and the band has remain so ever since.

[edit] Reunions

• In December of 2004, Joe, Tommy & Hugo got together at a party for friends in Long Island City, NYC to play a song for their friends. It was the song "21 (of age)".

• In December of 2006, Latex Generation reunited for a pair of shows with an also reunited Weston (band) in New york and Pennsylvania. Latex Generation's lineup for these shows included Joe, Tommy, & Hugo as well as former roadie Brian Gallagher on 2nd guitar. The dates were 12/30/06 at Rebel in NYC and 12/31/06 at Crocodile Rock in Allentown, PA. Some of the performances can be viewed on the Latex Generation Channel on YouTube.com.

[edit] Digital Music Releases

In late 2006, Latex Generation released digital download-only versions of their 2 full length studio recordings "360°" & "Boysrock". Entitled "360° (Special Edition)" and "Boysrock (Special Edition)", the 2 collections feature B-Sides and rarities previously unavailable commercially.

The Track Listings are as follows:

[edit] 360° (Special Edition)

1. Central America
2. Daddy Was a Communist
3. They Killed the Radio
4. 360
5. Delivery Boy
6. PB&J
7. 3 Years After
8. Fuck Me, I'm a Rockstar
9. I'm Not You
10. I Killed the President
11. Bazooka
12. Fallen Angel (with the hidden track "Sgt. Thrasher" afterwards)
13. Daddy Was a Communist (Demo)
14. I'm Not You (Demo)
15. Runaround Sue
16. The Jeffersons
17. PB&J (Original Version Remix)

[edit] Boysrock (Special Edition)

1. Laugh It Off
2. 6th Sense
3. 21 (of age)
4. Cycle
5. Tank Stellar
6. One For the Bastards
7. Come Along Sorry Ass, We're Going Places
8. Ilona Stanley's Response
9. Inspiration on TV
10. Desperosity
11. Closed Casket
12. Mac
13. Campsite 54
14. Whatever Happened to PJ Soles?
15. Holiday Road

The Special Editions are only available on digital download services worldwide such as iTunes, Rhapsody, Napster, & more.